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The hardest thing to beat about Adobe Premiere Pro CS6 is the level of cross-integration it sports with the rest of the Creative Suite Products.
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Sony Vegas Pro 12 has a remarkable interactive tutorial system there's a new way to handle traveling matte effects some sophisticated programs are included with the suite. What's more, the entire suite edition of Vegas Pro 12 only costs slightly more than the standalone edition of Premiere. Sony Vegas Pro 12 is a very good all-in-one substitute for both Premiere Pro and some parts of Adobe After Effects.
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The suite version of Vegas Pro includes other programs, too: Sound Forge Pro 10, an audio-editing application that supports powerful multi-tracking and many professional audio formats (e.g., exporting to Dolby Digital AC-3, or 5.1 recording and mixing) and DVD Architect 6, which masters Blu-ray Discs as well as DVDs. However, when I tried to import a Premiere Pro project, the process worked only for the simplest of projects: After Effects segments didn't survive the import process and Premiere projects with multiple timelines only had a single timeline survive the conversion.Īlso included with Sony Vegas Pro is NewBlueFX's Titler Pro, a powerful third-party title- and text-generation app that again compares favorably to the same functionality in Adobe After Effects. One of the features Sony touts is the ability to import projects from other editing programs such as Premiere Pro CS 6 and Final Cut Pro 7. (HitFilm is not made by Sony, but is a third-party product.) Like After Effects, HitFilm is an application unto itself with its own workflow but, unlike After Effects, HitFilm's interface differs rather radically from its parent program. HitFilm generates a wide array of visual effects: color processing, particle and lighting effects (rain, smoke, muzzle flashes), and so on. There's a steep learning curve involved, since you have to learn about a fair number of different functions at once (such as the effects chain system and the way masking works), but once they're mastered a great many things become possible.Īside from Vegas's native effects system, the suite version of Sony Vegas Pro includes HitFilm 2 Ultimate, which is akin to Adobe After Effects.
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This means that effects applied to a video clip can be constrained to only parts of the image - for example, blurring out a face.
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New to Vegas is a masked-effects function. Likewise, new keyboard shortcuts let you trim parts of just the video or audio track in a selection, making it easier to create common cinematic effects like cutaways or overlapping audio. These include the ability to see edit points in a split-screen A/B view and to trim either side of the edit interactively while playing that region in a loop. That way you're not just reading a set of instructions, but you're actually using the function, which is enormously handy for complex and multi-step processes.Īs with Premiere Pro, a few of the new features in this version of Vegas Pro are designed to appeal to editors coming in from professional-level suites like Avid. Choose a tutorial (such as "How to add audio effects"), and Vegas will walk you through each step of the tutorial, letting you try it out it with whatever project you're currently working on.
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It has the flavor of a mid-2000s-era Windows app (such as toolbars and panels that can be docked in tab sets), but it's designed to be functional, not flashy, and it isn't difficult to navigate or use.Ī feature I liked in previous editions of Vegas was the excellent guided help, which is still here. Little about Vegas's interface has changed since I last sat down with the program a couple of years ago. Sony Vegas Pro 12's effects chain system makes it possible to combine multiple effects, but it takes some learning to master properly. In addition, rendered effects can be previewed quickly from a RAM cache since Vegas is fully 64-bit, you can devote as much memory to the cache as you can spare.
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Images and video can be uploaded from a DV source or any system-registered capture device (e.g., a webcam).īecause working with large files can be unwieldy, Vegas has a "Smart Proxy" system: lower-resolution versions of high-res clips are automatically generated for use in the timeline, with the final edited product rendered at full resolution. It doesn't directly integrate with as broad a suite of products - Vegas's suite is much more modest - but it shouldn't be dismissed for that reason.Īlmost every high-end video format is supported in Vegas, including Redcode, Panasonic P2 and AVCHD 2.0 files. Sony Vegas has power and capacity enough to contend with Adobe Premiere. Price: $599.95 as part of Sony Vegas Pro 12 Suite, $899 as part of Vegas Pro 12 Edit (without DVD Architect Pro), $399.95